“But with ‘FLESHWORLD’ I really wanted to make a particular ‘sound’ gel, though I couldn’t put my finger on what it was until I was in the pith of the songwriting process. “My second EP, ‘TAME’, was very loose in terms of song structure and arrangement, and intentionally so,” she admits. As her production technique has become more refined though, that laser-focussed sense of taste and sound has come together more fully, and ‘FLESHWORLD’ is her most fully realised and cohesive work to date. I think a tension between these two sounds/styles is still really prevalent in my music.”īy her own admission, her tastes have stayed fastened to pop: but as evidenced in her Fresh Kicks mix, that taste has been embellished and mutated, from her early days in the live punk scene up to her first forays into production at age 20, creating “audio shells” for spoken word pieces.
“I began playing the violin as a little kid, and at that time fell simultaneously in love with both classical music and, seeing as how it was 2001, the pop stylings of Britney Spears (my first concert – dad and I had nosebleed seats). Swan Meat’s love of jagged contrasts in music originated at an early age, she says.
AMERICA BREAKBEAT REMIX FULL
‘DENTIST'S TOYS COME ALIVE AT NIGHT’ is smoky and atmospheric, but as its glitchy beat sputters and sizzles into life, it takes the form of a boss-fight theme, full of triumphant energy and rusty vibrancy. ‘EUGENIA MARIONETTE’ opens with elegant, phantasmal keys before morphing into a maximal drum & bass behemoth. The EP’s opening track, ‘SUCKLING’, begins with an almost medieval motif, the sort you’d hear in arcade game start screen, before launching into a raw, broken club rhythm, with flourishes of grime and dubstep. “The EP is called ‘FLESHWORLD’ because I’m seeking, I guess, a return to the material, the sweaty and the real, and nothing makes me feel more alive than the sounds I’m toying with, here: 8 bit synths, big string arrangements, fizzy breakbeats.” punk scene which, its myriad problems aside, was rooted in solidarity and fun, and being with each other, in the flesh,” she tells us. “My first exposure to underground music was in the D.C. Nowhere is that clearer than on her recent EP, ‘FLESHWORLD’, which fuses her punk roots with rave forms, 8-bit synths and video game music.
It is the fusion of those sounds with an unmistakably human and personal flair that makes her experimental, high-octane electronic music so special. If that’s the case, and the reasons are unknown to you, please get in touch with us.The music that makes us feel most alive, and most like ourselves, is not always what we expect: and for Cologne-based, Washington D.C-born artist, Swan Meat, it is in sounds more often associated with virtual, escapist worlds that she finds herself most present and grounded. In case you don’t receive your e-mail notification, then your payment has most likely been declined.
AMERICA BREAKBEAT REMIX PROFESSIONAL
a service exclusively for professional working dj’s, If you are not dj, ignore this site. OVER 900GB PACKS MONTH.Note: We will create for you your information to access to private area of VIP ACCESS (maximum within 24 hours, usually within 15 mins to 2 hours).